SITE UPDATE IN PROGRESS 03/2026.
Recent Artworks
43-interference . acrylic on canvas . 52 X 36 in . 2025
BluePrint12 Gallery, New Delhi
42-interference . acrylic on canvas . 52 X 36 in . 2025
BluePrint12 Gallery, New Delhi
41-interference . acrylic on canvas . 52 X 36 in . 2025
BluePrint12 Gallery, New Delhi
noise 16 . acrylic on canvas . 48 X 24 in . 2025
BluePrint12 Gallery, New Delhi
noise 17 . acrylic on canvas . 48 X 24 in . 2025
BluePrint12 Gallery, New Delhi
Noise 18 . Acrylic & Archival ink on Saunders Waterford 640 GSM board . 40 X 30 in . 2025
BluePrint12 Gallery, New Delhi
Noise 19 . Acrylic & Archival ink on Saunders Waterford 640 GSM board . 40 X 30 in . 2025
BluePrint12 Gallery, New Delhi
Noise 15 . acrylic on canvas . 48 X 24 in . 2025
BluePrint12 Gallery, New Delhi
Noise 14 . Acrylic & Archival ink on Fabriano 640GSM board . 40.5 X 29.5 in . 2025
BluePrint12 Gallery, New Delhi
37-interference . acrylic on wood panel . 40 X 30 in . 2024
30F-interference . acrylic on wood panel . 30 X 22 in . 2024
BluePrint12 Gallery, New Delhi
Noise 13 . Acrylic & Archival ink on Fabriano 640GSM board . 41 X 29.5 in . 2024
BluePrint12 Gallery, New Delhi
30E-interference . acrylics on Fabriano 300GSM watercolor paper . 30 X 22 in . 2024
BluePrint12 Gallery, New Delhi
32-Interference . ink on heavyweight fabriano board . 29.5 X 40 in . 2024
30G-Interference . acrylic on wood panel . 30 X 22 in . 2024
BluePrint12 Gallery, New Delhi
18 N-interference . acrylics on wood panel . 16 X 16 in . 2023
18 M-Interference . acrylics on wood panel . 16 X 16 in . 2023
Noise 11 . Acrylic & Archival ink on Fabriano 640GSM board . 41 X 29.5 in . 2023
18 P-Interference . acrylic on wood panel . 16 X 16 in . 2023
Kristen Lorello Gallery, New York
35-interference . acrylic on wood panel . 40 X 30 in . 2023
Artwork series
Interference
Acrylic on canvas, woodpanels & works on paper.
2020-25
The Interference series of paintings & drawings explore the relationship between abstraction, human labor, machine logic, and perception in an increasingly screen-saturated world. These abstract artworks are grounded in a durational, meditative methodology in which repetitive mark-making functions simultaneously as gesture, discipline, and data. Through the incremental layering of translucent acrylic paint washes and accumulations of line-work created with brushes, paint markers, and calligraphy pens, these paintings enact a logic of emergence, where structure arises through repetition rather than predetermined design.
Tremors
Archival ink on xuan rice paper.
2018-21
The series reifies the act of data representation in its broadest sense, and challenges viewers to ponder the magnitude of the waveforms that surround us, drowning us in a sea of invisible information, throughout our lives, and for all time.Tremors speaks at once to the microwave signals emitted by our cellular devices, to the ebb and flow of the earth’s oceans and even to the cosmic radiation that our brightest minds sift through, hoping to find some indication that we are not quite as alone as we may think.